Wednesday, July 17, 2019

Possessed: Revelations of Oblivion (2019)

We are kind of beyond the point where it is surprising when bands reunite.  That has been a trend over the last 10-15 years or more so the only surprising reunions would be groups like Death and Dissection where the principal member is currently dead.  Even then, Static-X pulled it off.  So it is unsurprising that Possessed is back with their first album of new material since 1986's Beyond the Gates.

Truthfully, this is not a complete reunion.  Bassist/vocalist Jeff Becerra is the only original member.  Most of the other band members have been in other death metal bands like Sadistic Intent and Gruesome.  Possessed is of course notable for being one of the earliest death metal bands, and many would argue the first.  Their debut Seven Churches is a landmark for the death metal genre.  With so much time passed though, it was questionable how new material would sound from the band.

The album starts off in similar fashion to their previous releases, with an ominous bell ringing and atmospheric sound producing a dark and sinister tone.  Eventually this gives way to some classical-sounding music that would be at home in The Exorcist.  That then is punched through by one hell of a death metal riff and we are off.  The first song is called "No More Room in Hell" and possesses all of the hallmarks that one would expect from a Possessed song, including fast, razor-sharp riffs, pounding drums, Becerra's rabid snarl and blasphemous lyrics.  From that point forward, it is clear that even though a lot of time has passed, Possessed still sounds as fresh and vital as they did in the mid 1980's.

Some of the lyrics on this album are a little ridiculous.  Obviously in this genre we have a lot of lyrics that attempt to sound evil and scary.  This would have turned some heads in 1985, but it is no longer ground-breaking.  I am not really singling Possessed out because this is fairly normal for the genre, but sometimes it does sound a little tired.  Luckily I can overlook that when the music is as good as it is on this album.  This really does sound like something the band would have released to follow up their last proper full-length.

I was much more impressed with this album than I thought I was going to be.  It is a terrific return of a legendary pioneer in death metal and a worthy follow-up to the band's prior work.  It is also possibly an Album of the Year contender.

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