Hulder and Skeleton in Lincoln - July 12, 2022

I went back and forth on whether I would be going to this one.  Things have been crazy busy at work and the day of the concert, I was scheduled for a long day.  The other issue was that when I first heard about this concert, I was under the impression that Devil Master would also be on the bill.  Devil Master released the amazing album Satan Spits on Children of Light in 2019, which was a top five album for me that year.  They also released another great one earlier this year.  But upon further examination of the tour, I realized that Devil Master would not be at the show in Lincoln.  So, it was just Skeleton, a band I had not yet heard, and Hulder.  I do enjoy Hulder quite a bit though, so I decided to go after I got done in court a bit earlier than expected.

The venue was the 1867 Bar in Lincoln, which is located downtown.  I had never even heard of that bar before.  It is a fairly small venue, with a small bar area and a larger room for concerts.  The stage, such as it was, was only a slightly elevated floor.  That promised a rather close and cozy show.

Opening the night were a pair of local metal bands that I have seen several times now.  First was Ungoliant.  This is the third time I think that I have seen Ungoliant.  They are always impressive and strike me as down-to-earth guys who just love to play at these shows.  They need to release something though.  Ezra was next.  This was the fourth time seeing Ezra, I think.  Ezra is sort of notable for being led by the brother of a former University of Nebraska football legend.  Ezra has been around for a very long time and mentioned that they were playing mostly songs from the mid 1990's.  Both bands were impressive for local bands. 

Skeleton was on stage next.  The power trio is from Austin, TX and, in something I do not see too often, their singer is their drummer.  As such, rhythm is very important to the band's sound.  Apparently the band started out as a punk band, before going in more of a black/death metal sound.  They were able to really get the crowd moving with their no frills, bludgeoning riffs.  The songs were all on the shorter side and got to the point quickly.  It was a raw and primal sound and damn, was it impressive.

Hulder was the headliner.  Hulder has been making noise in the metal underground for a few years now.  The one-woman black metal band from Portland, by way of Belgium, first caught my attention with a two-song EP in 2019.  Of course, being a solo project, a backing band had to accompany the band leader, who now goes by the name of Hulder.  The sound was primarily amped-up, aggressive black metal, complete with tremolo riffing and shrieking vocals.  Hulder has an extremely powerful voice and it hits hard in concert.

Hulder hit the stage and promptly bulldozed through an incredible set, then left.  There was no talking between songs, or even after the set.  Hulder came, Hulder saw, and Hulder conquered.  I was blown away by the set though and set to picking up the rest of the band's releases.  I was damn glad I decided to go to this one.

The Chasm in Omaha: July 9, 2019

On Tuesday night, I had the opportunity to see The Chasm in concert, along with a few other bands.  The show was at The Slowdown, which is quickly becoming one of my favorite venues.  The show included a couple of Nebraska local bands and a couple of other groups.  I will get to all of them.

ORPHEUS

The first group out of the gate was the Nebraska native group Orpheus.  This was not my first time seeing them as they were one of the groups that was opening for Goatwhore awhile back, so I knew what to expect.  I liked them quite a bit, they were loud, fast and aggressive, and it appears they have been improving with time.  Nothing really stood out, but they did a great job setting the tone for the evening.

EZRA

Ezra is still kicking after all these years.  The band has been around since the early 1990's and have undergone a number of sound changes over the years.  The Ezra that appeared last night seemed different than the Ezra I have seen on previous occasions.  The music was more raw and primal, and heavier.  Also, I don't recall but it seems like the last couple times I saw Ezra there were only three members.  They may have added a guitarist.  They sounded terrific last night, probably their best performance of the times I have seen them.

INFERNAL CONJURATION

Now we get into the primary bands, not to infer anything bad about the Nebraska groups.  I had not previously heard of either Infernal Conjuration or the next band and I have seen both of the Nebraska groups before.  Infernal Conjuration is a death metal band from Mexico and they blew me away.  They were fantastic.  Obviously influenced by The Chasm, Infernal Conjuration uses progressive structures and riffs upon riffs upon riffs.  They were extremely impressive.  I picked up a record, so look out for a review on that at some point.

CRUCIAMENTUM

Despite the name, Cruciamentum is the only of the three touring bands that is not from Mexico.  Cruciamentum is a UK death metal band.  They were the most straight-forward death metal band of the night, but they were crushingly loud and extremely intense.  They played a long set, but had great riffs and were also very impressive.  I ordered an album when I got home that night, since the band did not have anything in my preferred format.

THE CHASM

Finally, we get to the headliners.  I have always been more of a fan of Daniel Corchado's previous band Cenotaph a little more, but I do definitely enjoy The Chasm as well.  I thought I knew what to expect from The Chasm, but they absolutely blew me away.  They were amazing.  They played some of their more straightforward stuff without a lot of the real progressive structures.  Daniel Corchado sounded great and the riffs were crushing.  They played one or two instrumentals and The Chasm is a band that can really do instrumental music well.  I met Corchado briefly after the show and thanked him for the terrific concert.  He seems like a genuinely nice guy and was just happy that people turned out for the show.

Cannibal Corpse: Nov. 20, 2018

I have been to a fair number of concerts, especially over the last few years.  And yet, I have not been to too many pure death metal concerts.  I have seen Suffocation, but they were supporting The Black Dahlia Murder.  I have seen Obituary, but they were with Skeletonwitch and Pallbearer, among others.  So the concert last night was the closest I have been to a real death metal concert.  Cannibal Corpse was the headliner, with Hate Eternal in support, and local band Ezra as the opener.  Of course there was one more band, and I will get to that.

Ezra was the opener, and the Lincoln natives remain one of the longest tenured Nebraska metal bands, having formed some time in the late 80's/early 90's.  I have seen them before and they impressed me once again.  The bassist and guitarist are brothers of former Nebraska football standout Cory Schlesinger.  Just kind of an interesting note.

The next band was Harms Way, a group I had not heard of before looking into this concert.  I was not terribly impressed.  Harms Way is a hardcore band and much of their music sounded basically the same, with chugging riffs and shouted vocals.  The singer is a muscle-bound ball of energy who blasted around the stage.  But I just could not get into them.  I will not be checking them out further.

Hate Eternal, the band formed by former Ripping Corpse and Morbid Angel axe-man Erik Rutan, was next on the stage.  There were no real surprises from them, Hate Eternal has a fairly straightforward sound, with fast-paced riffing, blasting drums, and Rutan's decayed vocal style.  It has been awhile since I have checked in with the band, and I am not shocked that not much has changed.  Their hyperactive blasting style works for them.

And finally Cannibal Corpse took over and delivered a blistering set featuring a wide variety of new and old songs.  George "Corpsegrinder" Fisher was feeling a little under the weather and was not able to hit some of the deep roars the band had become known for.  The other aspects of the band's sound were present from the grotesque lyrical themes and slightly technical riffing.  The band played a number of their classic tracks, such as "The Wretched Spawn", "Skull Full of Maggots", and "Make Them Suffer".  Of course they also had to play "I Cum Blood" and close out the set with "Hammer-Smashed Face". 

It was a fun show and it is great to cross another legendary band off the list of groups I need to see.  I am not the biggest Cannibal Corpse fan, but I enjoyed the show quite a bit nonetheless.  They can definitely still get the crowd worked up. 

Kreator in Omaha: April 5, 2017

The Waiting Room in Omaha is quickly becoming one of my favorite venues.  I have now seen three shows there and they are all bands I was shocked to see in Nebraska.  Blind Guardian and Queensryche had been there previously.  When I heard that German thrash metal titans Kreator were going to be there, I had to go again.  I have been a big fan of Kreator for about ten years now, and their early albums are some of my favorite thrash metal albums of all time.

Kreator was supported by a couple of local Nebraska bands, which was cool.  I had not previously seen any Nebraska bands live.  Since I am somewhat isolated from Lincoln and Omaha, I only go to shows with bigger bands, instead of checking out local groups.  I was vaguely familiar with both of the supporting bands, so I had a general idea of what to expect.

Garoted was the first band to play on Wednesday night.  The death metal band from Lincoln actually put on a fairly impressive show.  They have been around for about ten years now and have released a couple of albums, so they had quite a bit of material to draw from.  Their music was obviously heavily influenced by early death metal bands and even the German thrash metal scene.  They even covered "Curse the Gods" by Destruction.  All told, I was actually very surprised by how much I enjoyed Garoted.  Even more shocking, my wife did too.

After Garoted came Ezra, the very long-running Lincoln band.  I remember seeing Ezra appear on a cable access show back when I was in high school, which was almost 20 years ago now.  The guitarist and bassist are brothers, though it is their other brother that is inarguably more famous: Cory Schlesinger played football at the University of Nebraska and went on to an 11 year career with the Detroit Lions.  Ezra was a little more raw-sounding than Garoted, but turned in a reasonably impressive performance as well.  I did not remember much about their sound from when I saw them on cable access before, so I don't know if their sound changed at all.

Kreator took the stage next and played a healthy mix of stuff off of their new album and several classics from their more than 30 year career.  I like their latest album, but not nearly as much as their albums from the 1980's and early 1990's.  Stuff from that era was what I was most looking forward to, and Kreator definitely played some good stuff.  "People of the Lie" is perhaps one of my favorite Kreator songs and the band played it fairly early in the set.  I was a little surprised to hear "Phobia" as that is from a mostly-reviled era of their career.  The band was a bludgeoning force all night, they sounded great and were as aggressive as their recorded output.  Mille Petrozza's voice is not as powerful as it was early on in their career, but that is to be expected.  The raw intensity was certainly present though.  Kreator saved the best for last of course, with a three song set at the very end of the show that included "Violent Revolution", "Under the Guillotine", and of course set closer "Pleasure to Kill".  It was great seeing a band that I had no expectation to ever see in Nebraska.  Now, if only Sodom can show up.

After the concert, I asked my wife what she thought.  She said she enjoyed the concert well enough, though the vocals were not to her liking and she was not sure she would like their albums.  That is as close to a ringing endorsement that I could have expected.