Cavalera in Omaha: Oct. 23, 2023

I never know quite what to call the band made up of Max and Iggor Cavalera in which they have re-recorded classic Sepultura material.  Some sources refer to them as Cavalera Conspiracy, but I was under the belief that was a different entity.  Cavalera?  Cavalera Brothers?  I have no idea.  I just know that their re-recordings have been fantastic and they are even better live.

So, in October of last year (and that is how far behind I am), they hit The Waiting Room in Omaha with the Morbid Devastation tour in which they were performing their renditions of the Morbid Visions and Bestial Devastation releases in their entirety.  They were joined on tour by disgraced surgical practitioners Exhumed and some band called Incite that I had never heard of before.  Since I was blown away by Cavalera's concert the year before, I decided to go.

Well, the less said about Incite the better.  Actually, let's see.  It's like if someone decided Vulgar-era Pantera was too high-brow in their lyrics and too complicated musically and decided to form a band.  That's good enough.

Exhumed was up next and this was at least the second time I have seen them.  Their gore-soaked, grinding brand of chaos was a welcome change from the paint-by-numbers groove from Incite.  They brought their usual sickening visuals to the stage as well.  Exhumed always puts on a damn good show.

That brought Cavalera to the stage.  I was somewhat concerned about what the Morbid Visions and Bestial Devastation re-recordings would sound like.  Part of the charm of those releases was how raw and desperate they sounded.  The band members were much younger and not as proficient on their instruments and were just making primal noise.  Somehow, the band managed to recapture that.  It obviously sounded much more rehearsed and professional, but the spirit of the releases was accomplished.  Which is to say they sound evil as fuck.  Live, they were even better.  The Cavalera brothers have somehow managed to reverse time and perform with the energy of people 30 years younger.  Cavalera continues to impress me live.

Recently, the band re-recorded Schizophrenia.  If they go on tour in support of it, I may have to check them out a third time.  The question is whether they will eventually re-record Chaos A.D. and Roots.  

Exhumed: Dissecting the Caseated Omentum (1992)

I picked up the reissue of Exhumed's second demo when I saw the band live during a co-headlining tour with desert death metallers Gatecreeper.  As I mentioned in my writeup of that show, I have not been the biggest fan of Exhumed, but they blew me away at that concert.  So, even though this was one of the band's earliest recordings and not necessarily representative of their current sound, I snatched this up.

So, I had to do some looking to figure out the meaning of the title here.  Apparently, the "omentum" is a fold of membrane connecting the stomach to other abdominal organs and caseation is a form of necrosis in which the tissue forms a firm, dry mass.  So what I have learned here is that Exhumed come from the Carcass school of grinding death metal in which they use some real medical terminology to talk about some truly disturbing stuff.

This is disgusting and raw goregrind with big, meaty riffs that sound like a meatgrinder and gurgling vocals.  It is a fairly short release, with six songs encompassing just over 18 minutes and the songs do kind of run together, but the foundation for what the band would eventually become is there.  While this is a bit different than what the band sounds like now, it is still recognizably Exhumed.

I was impressed by this demo, but it is not exactly required listening for anyone who is not either a huge Exhumed or goregrind fan.  It is competent goregrind, but there are certainly better releases in the genre and in the discography of Exhumed.  

Gatecreeper, Exhumed, Necrot and Ungoliant in Omaha: November 21, 2019

A few weeks ago, it looked like I would not be able to attend this concert.  Originally I was scheduled for a shoplifting jury trial on November 22.  While I was not terribly concerned about needing to present much of a defense (there was actually virtually no evidence tying my client to the crime), I still did not much feel like getting home between 1:00 and 2:00 a.m. before doing a jury trial.  But luckily the prosecutor eventually realized he had nothing and dismissed the case.  So, I got to spend the evening at the Lookout Lounge watching a bunch of death metal bands.

UNGOLIANT

Ungoliant is a black metal band from Omaha that I have seen once before.  I enjoyed them then and this time, I think they were even better.  The band had a new bassist, who appears to be very young.  The songs were all tight and powerful.  The band has been one of the better local bands I have seen in the last several years.  Unfortunately, they have very few releases (three demos) and none of them are very easy to find.  I have my eyes open.  A new release would be nice though.

NECROT

I have seen Necrot before as well.  They were one of the opening bands when I saw Suffocation and The Black Dahlia Murder.  I thoroughly enjoy everything I have heard from Necrot and the concert was no different.  They are an explosive band live, with a lot of energy and some dark and heavy riffwork.  Necrot's sound is more of an occult death metal band and their album from 2017 was in my top five albums of the year.  I am still waiting on a follow-up.

EXHUMED

I have never really been the biggest Exhumed fan.  Possibly because they do not really stand out from a bunch of other grindy gore-obsessed death metal bands.  A lot of their primary characteristics also describe groups like Aborted, Impaled and others.  I have a couple of their albums, but I always mix them up with Impaled in particular.  But, holy shit I will remember them now.  They were massively impressive live.  Their three vocalists play off each other quite well, with each one having a distinct style.  The band was also the most visually impressive of the night, using two television screens showing trailers of old school horror movie classics and also having a man dressed in bloody scrubs take the stage several times to spray fake blood, and generally pump up the crowd.  They played the most songs of the night and were probably the highlight of the show due to their energy and some terrific songs.  I will be paying more attention now.

GATECREEPER

After Exhumed's flurry of activity, Gatecreeper was a bit of a letdown.  Not to say they were bad, completely the opposite, they just could not keep up the energy level after Exhumed practically destroyed the place.  Gatecreeper's new album is one of the better albums of the year and they played a number of the best songs from the album.  They were impressive in their own way and the songs "Desperation" and "Flamethrower" in particular are ones which are absolutely crushing live.  Gatecreeper has been making some major noise in the metal underground and they absolutely deserve it, but based on the relative stage shows, I just feel like the wrong band played last.  

FMA: Exhumed: Necrocracy (2013)

Originally reviewed here.

Exhumed perfectly captured their sound with the title of their 1998 album Gore Metal. The California-based bashers have long played a disgusting, blood-soaked mix of death metal and grindcore with lyrical themes running the gamut from gore to death and everything in between. Not exactly subtle, but then some bands can get away with that.

My only real previous experiences with Exhumed have been with their covers album Garbage Daze Re-regurgitated and the fact that two former Exhumed members are in Ghoul. Not the most helpful foundation to get a feel for their real sound.

At this point in the band's existence, Exhumed is mostly a pure death metal band. Some grinding riffs continue to sneak in now and again, but this is basically unadulterated death metal, with all of the expectations that that entails. Thick, nasty bottom-end, bone-crushing riffs, and deep, guttural roars. The band does use some impressive melodic guitar leads and solos that complement the crunching riffs well.

Exhumed changes things up a bit by including two vocalists. Bud Burke handles the more stereotypical death metal growls while Matt Harvey (not to be confused with the New York Mets pitcher) contributes shrieking, almost hardcore style vocals. The vocal dichotomy is one of the reasons that Exhumed stands out from their much more one-note peers.

Exhumed perform all of this with tongue planted firmly in cheek, much like Cannibal Corpse, proving that death metal can still be a lot of fun. And this album is definitely fun.