Knotfest: August 8, 2019

Yes, I went to Knotfest, Slipknot's annual (?) traveling roadshow.  That may come as a little bit of a surprise for people who have been reading this blog for a long time, because I generally have not had many positive things to say about Slipknot.  I liked them in the early years, when the self-titled album was released, but felt there were diminishing returns on each of the two follow-ups.  I never picked up anything after the third album because I simply did not like it, other than a few songs.  So why did I go?  Because the other bands were Volbeat, Gojira and most importantly, Behemoth.

Unfortunately, the night was a huge disappointment.  Due to circumstances beyond our control, my wife and I were late in arriving and missed the first band.  That band turned out to be Behemoth, the primary reason I wanted to attend the concert.  We had some issues getting to the venue, the Pinnacle Bank Arena in Lincoln, Nebraska, due to road work and the fact that we both had to work that day and we live two hours away.  And for some inconceivable reason the concert started at 5:30.  Plus, my wife insisted on listening to Disney music on the way down, so there was that.  I guess I misjudged the popularity of Volbeat, thinking there was no way they would be playing anywhere other than first that night.  So, when I figured out that we had in fact missed Behemoth, I was pissed.  I seriously considered calling it a night.  But, I did not think that was a reasonable response so I tried to make the most of it.

There were some definite things working in favor of enjoying the night.  My wife looked amazing first of all.  Secondly, we got the tickets for free, and were in the luxury suites, thanks to my dad who got the tickets from his company's lottery.  The company he works for built the arena so they have a luxury box.  There were free snacks and drinks provided, and I was able to enjoy the high quality meat from the meat and cheese tray provided (I am on a bit of an unusual diet and mostly just eat meat these days).  So the seats and snacks were great.

The first band we saw perform was the terrific Gojira.  I am not great about checking them out every time they release something new, but the albums I have checked out have been amazing.  I was a bit disappointed they did not play "From the Sky", which is still my favorite song from the band, and one of the heaviest riffs ever.  But their performance was amazing and with any luck, their exposure on this tour should help increase their popularity.

Next was Volbeat, who I have seen previously when they opened for Megadeth and Rob Zombie a few years back.  I like some of their stuff and own one of their albums, but their more recent material has been less than impressive.  Their eclectic mix of metal and rockabilly is a lot of fun when it is working.  I will say they put on a great performance and definitely got the crowd going.  My wife really enjoyed them, even though she kind of hated them the first time we saw them.  Although I don't think anyone on Earth enjoys them as much as the guy in front of us did.

Finally, Slipknot took the stage.  I do not know if it was because I was annoyed about missing Behemoth, but they just sounded bad.  All you could really hear was the percussion, which sort of makes sense since they have three percussionists.  But Corey Taylor's voice sounded off, and the riffs could barely be heard.  And with nine fucking people running around, you would think the show would be more exciting.  I still cannot figure out the official job of the one idiot who spent half the show walking around on a conveyor belt while flailing his arms around.  I could not see his mask close enough to identify which one he was.  They also sounded a little flat, without much energy.  I was annoyed enough that we ended up leaving about three quarters of the way through their show.

Despite the huge disappointment at not seeing Behemoth, the reason I wanted to go to the show, it turned out to be a pretty decent night.  Hopefully I will have another opportunity to see Behemoth again soon.  My wife suggested going next weekend to see Knotfest in Kansas, but I feel like they got enough of my money Thursday night.

Best Metal Songs of 2012

TESTAMENT: "NATIVE BLOOD"


ARKHAM WITCH: "ON A HORSE CALLED VENGEANCE"
I could not find a video for this one, so here is another song from Arkham Witch.


MORTALICUM: "THE ENDTIME PROPHECY"


GOJIRA: "EXPLOSIA"


WITCHCRAFT: "IT'S NOT BECAUSE OF YOU"

Top 40 Metal Albums of 2012: 10-1

10.  RUMPELSTILTSKIN GRINDER: GHOSTMAKER
The best pure thrash metal album this year came from a very unexpected source.  Rumpelstiltskin Grinder had previously been kind of an anomaly in the wave of retro thrash metal bands, a band with a strong sense of humor and some non-thrash metal elements thrown in for good measure.  Their sound really came together on this release.  It is a shame so few people have been willing to give them a shot because they really deserve it with this one.

9.  AURA NOIR: OUT TO DIE
Australia has mostly become known for this style of blackened thrash metal, so it came as a bit of a shock to hear a terrific blackened thrash metal album from Norway.  This is an incredibly grimy and dirty sound that kicks ass and takes names.  It is short and raw and a wild ride.

8.  EVOKEN: ATRA MORS
This release shows just how morose and despairing funeral doom metal can get.  Ahab remains my favorite funeral doom metal band, but this release may be one of my favorite albums from the subgenre, joining prior Ahab material and the Catacombs album.  This album is utterly hopeless with an incredible sense of despair hanging over the entire album.

7.  HOODED MENACE: EFFIGIES OF EVIL
The best pure doom metal album this year, Hooded Menace's lyrics mostly deal in horror themes.  There is definitely a market for this style and lyrical theme.  Hooded Menace craft extremely impressive traditional-styled doom metal with infectious riffs and incredibly catchy songs.  The vocals may be death metal-styled but the music is pure doom.

6.  GOATWHORE: BLOOD FOR THE MASTER
I can always count on Goatwhore to release an album of purely chaotic and menacing black/thrash/death/extreme metal.  They have not disappointed me yet.  Perhaps the most impressive thing about Goatwhore though is that the band continually gets better.  Each time they release a new album, it is the best album they have ever done.  That continues with this release.  This is the best Goatwhore album ever.  Though that will only last until the next one if history is any indication.

5.  MORTALICUM: THE ENDTIME PROPHECY
Every year it seems like a traditional metal album comes out of nowhere to completely shock me and make it very high on my end of the year countdown.  This is not the only one this year, but it is perhaps the most shocking.  This one was sent to me to review from Metal on Metal Records and I have not been able to stop listening to it since.

4.  GOJIRA: L'ENFANT SAUVAGE
I once said that Gojira released one of the heaviest songs of all time.  Now they have released one of the heaviest albums.  The French band continually puts out ridiculously heavy material.  This is my favorite album that Gojira have released so far and it came damn close to taking the top album of the year.  The band is almost unclassifiable, but that is not important when the music is this good.

3.  ATARAXY: REVELATIONS OF THE ETHEREAL
I have said it before in this list, 2012 was a great year for death metal.  Ataraxy is a Spanish death metal band that has released an utterly terrific raw and grimy album.  Not bad for a debut album.  I owe my knowledge of this band to Full Metal Attorney.

2.  NEPHELIUM: COILS OF ENTROPY
Almost everything I said about Ataraxy could be said about Nephelium, except that they are from the United Arab Emirates originally before relocating to Canada.  This is a death metal album on par with just about any other death metal album of the last several years.  There is just something about this release that grabs the listener and refuses to let go.  It is an incredibly raw and brutal death metal album that is fresh and exciting.  2012 was a great year for death metal and Nephelium is the biggest reason why.

1.  CHRISTIAN MISTRESS: POSSESSION
Here it is, the best metal album of 2012 and this is definitely from an unusual place.  As I said with Mortalicum, every year it seems like a traditional metal album comes out of nowhere and blows me away.  Christian Mistress have released the best metal album of the year.  Their sound can be traced back to the NWOBHM.  The vocals are simply incredible and are a large reason why this album is so impressive.  And there you have it, Metallattorney's Album of the Year.

Initial Impressions: Gojira: L'Enfant Sauvage

I was a big fan of Gojira's album From Mars to Sirius, but for some reason I just never checked out The Way of All Flesh.  I have no idea why that is.  I never heard anything that dissuaded me from checking it out.  I certainly liked the band previously.  I guess I just missed it.  Well that did not happen again.  I have been eagerly anticipating Gojira's fifth album this year and picked it up just as soon as I saw it.  I am very late in getting this review up mostly due to being busy this summer.

I am very glad I did, because this album is phenomenal.  I honestly think it is a contender for my Album of the Year.

Gojira still do what they have always done so well.  They are monolithically heavy with bass-driven riffs and harshly shouted vocals.  Gojira is a very rhythmic band.  Many of the guitar riffs are almost percussive in sound.  There is not usually a lot of melody, though that is not to say that there is none to be found.  More than anything, Gojira just beats their listeners into submission with a constant wall of riffs.

Gojira is a little more bleak this time around.  On past albums there has always been a brightness shining through their music.  Sort of a ray of sunshine.  This time, the band is as depressive as possible.  Gojira has always been known for their environmentally-conscious lyrics.  This time it is as if the band has given up.  The world is coming to an end in the eyes of Gojira.

This is a terrific album, but it's definitely not uplifting in any way, shape, or form.  Best to listen to this on a cloudy day.

Gojira: "From the Sky": Heaviest Song Ever?

Is there a heavier song than this? Holy shit, it starts off with a bludgeoning riff played on the bass and guitar which then switches gears into a a continually pounding power chord. Meanwhile, the bass drum is rapidly firing on all cylinders throughout and Joe Duplantier provides coarse yelling vocals. This song is seriously powerful and has earth-shaking bottom end. It slows down for a brief moment and then speeds off to its conclusion, returning with the opening riff. Wow.

Finally: The Metalsucks Top 21, For Real

Oh, for fuck's sake. Here is the final list (after that ICP bullshit), complete with gripping commentary from yours truly. I own 11 of these albums, claim not to own one of these (my girlfriend knows which one), might have owned one, and used to own three of the others. That leaves five that I have not heard, and of those five, four are from bands I am fairly well familiar with. The only one off of this list that I have little to say about is the #5 album. So, my opinions are coming from an individual familiar enough with the list to completely detest it. Only one album from this list appeared on my own list, and that one (which is #3 here) was #21 on mine. My list is way better. Nyah!

21. Slipknot: Vol. 3: The Subliminal Verses
And we start things off with a bang. First of all, NOT FUCKING METAL. Secondly, I was extremely skeptical about this list as soon as I read through the contributors, but this definitely proved that my concerns were well-founded. Even for a Slipknot album, this is horrendous. It was at this point that the band began incorporating radio friendly hard rock into their sound. I listened to this album a couple of times when I first got it (I used to listen to the band when I was younger) and I honestly hated this album. It collected dust for years and probably continues to do so downstairs. I will probably dig it out and sell it. Apparently people like this shit, they’re crazy.

20. Shadows Fall: The War Within

I actually discovered Shadows Fall randomly while working at Target. I was looking for something new to listen to and happened upon an album by the band for very cheap. It was not this album, but the preceding album. I really enjoyed it and started listening to the band. This album presents Shadows Fall at their greatest, nothing they have done since this album comes close to it. Shadows Fall has always been a little ahead of the metalcore scene because of their heavy melodeath and thrash influences. In recent years they have dropped the core, but this album is still their best. They were better when they combined their core influences and metal influences. Not many bands can say that.

19. Mastodon: Remission
Unfortunately, I have not heard this album. I don’t much care for Mastodon’s newer material, but this was their first full length. I did pick up their second album and did enjoy it. It is at least somewhat likely that this is a good enough album.

18. Lamb of God: New American Gospel
This is another band that I am familiar with, while not having heard this particular album. I like some of Lamb of God’s material, they do kind of blend Pantera-style groove metal with metalcore, and they do kind of have a tough-guy image, but the music is enjoyable enough, if not overly interesting.

17. Hatebreed: Perseverance
NOT FUCKING METAL. Hatebreed is a ridiculous tough-guy modern hardcore band. They have very few, if any, metal influences. And they write the same fucking album every goddamn time. There’s not a single thing interesting about this band. I used to own one of their albums (possibly this one, but I don’t fucking know because they’re all the fucking same), and it was boring as watching paint dry.

16. Machine Head: The Blackening
When I first got into Machine Head, they were playing a cross between groove metal and nu metal. It wasn’t bad but it wasn’t the most interesting music. In looking farther back in their career, they started as a groove metal band and singer/guitarist Robb Flynn was previously in Bay Area thrash metal band Vio-Lence. On this album, Machine Head ditched metalcore and nu metal and went full on thrash. Apparently they’re kind of trendwhores. Oh well, this is a quality album and while I don’t love it, I like it quite a bit. It certainly did not make my list but it was a good enough album.

15. Nachtmystium: Assassins: Black Meddle, Pt. 1
This is kind of a weird one. Nachtmystium combines black metal, psychedelic rock, and post hardcore into a compelling mixture. The band was formerly a raw black metal band until they began incorporating more and more Pink Floyd influences. They are still one of the highlights of the American black metal scene. This is their most accessible album released thus far. It is an enjoyable album and I considered it for my top albums of 2008, but it just missed. Also, excellent use of a saxophone on a metal album.

14. System of a Down: Toxicity
NOT FUCKING METAL. I first discovered System of a Down back in high school. It was at that time that the nu metal wave hit. System of a Down, unfairly or not, were lumped in with that crowd. I will admit they play more of a hard rock style than nu metal, but still, they are not metal. I enjoyed their debut self-titled release, but this one immediately dashed any lingering enjoyment of the band. I just could never get into the album and I don’t see what other people see in it. To me, it’s the band’s descent into mediocrity.

13. Mastodon: Blood Mountain
I had just recently discovered this band when this album was released. I was pretty excited for the album because "The Wolf is Loose" is an awesome song. This was my first Mastodon album and it took several years before I would check out another. I like their heavier songs, but they play a lot of songs that do not keep the interest level quite as high. It’s an okay album, but it is highly overrated. There are a handful of good songs and some filler as well. It was on this album though that Mastodon started moving away from metal, which is a shame because Mastodon could have been the next great metal band. I’m talking about a level with Black Sabbath, Iron Maiden, Judas Priest, and Metallica, they were that good, at least on Leviathan.

12. Tool: Lateralus
NOT FUCKING METAL. Just like the above System of a Down album, this is the Tool album that convinced me this band was not fucking worth listening to anymore. I loved their Opiate EP and the Undertow album because both of those albums actually contained coherent songs. Aenima was where the band starting getting way too proggy and experimental for their own damn good. However, it still had some enjoyable songs on there. On this album, half of the fucking tracks are pure noise, there are maybe a couple of actual songs on there, and everything else is static. Awful, I sold this album.

11. Deftones: White Pony
NOT FUCKING METAL AT ALL. I can kind of understand thinking Hatebreed, Tool, System of a Down, and Slipknot are metal. I don’t like it, but I can kind of understand it. But, fucking DEFTONES???!!! My god. I never did understand what in the hell I was thinking when I bought this fucking album. It’s essentially a more aggressive post-hardcore album with maybe .5% metal influences at all. It’s also an extremely boring and pretentious piece of shit. Thank god I sold it.

10. Opeth: Ghost Reveries
This is one of my least favorite Opeth albums (not my least favorite, that title belongs to the all-prog-no-metal Damnation). It starts out great on "Ghost of Perdition", but as it goes on, the prog parts become much more drawn-out and meander a great deal more than on previous albums. The production is at its best on this album: it is crisp and clean and all of the instruments can be heard well. The songwriting just was not as good on this one as some of the band’s previous efforts. Not a bad album, just not as good as their earlier works.

9. Gojira: From Mars to Sirius
I’ve never been quite sure how to categorize this band. They play some sort of mix between death metal, thrash metal, and progressive metal. The album is heavier than hell, it really is. The riffs are extremely bass-heavy giving them massive bludgeoning power. The drums are pounding and the music in general is fairly slow to further emphasize the heaviness. The song "From the Sky" is one of the heaviest songs I have ever heard. Lyrically, the band is interested in eco themes. It is a very interesting album, but it can get a little tedious as it plods along. Still though, this was a fairly interesting choice for the list because it’s not as mainstream-friendly as many of the other bands. Mainstream, yes, but not as accessible.

8. In Flames: Clayman
In Flames was once one of my favorite bands. I thought about trying to get one of their albums into my list, but I could not justify choosing any of their albums of the 21st century over any of the albums in my list. My favorite In Flames albums came out in the 1990's. This album is not bad, but it is a step down from their prior album, Colony. I am not at all surprised to see In Flames make it on this list, I just would not have chosen them. I would have rather seen some of Dark Tranquillity’s work make it in opposed to this. Still though, I don’t have a problem with the choice.

7. Lamb of God: Ashes of the Wake
This was the first album I had heard by Lamb of God. Yes it’s kind of dumbed down groove metal in the vein of later Pantera with some metalcore influences thrown in. But, it is brutal, aggressive, and menacing. In that vein it’s certainly not a bad album. There are much worse albums out there, of course. This is the best I have heard from Lamb of God, but the band really isn’t doing much that Pantera hasn’t done before. There are much better albums out there as well, which makes the inclusion here a little dubious. Still though, at least it’s a decent enough album.

6. Killswitch Engage: The End of Heartache
This is pretty much the quintessential metalcore album. It features riffing influenced by Swedish melodeath bands, clean and rough vocal interplay, and breakdowns. As such, it is pretty much a no-brainer to make this incredibly mainstream list. It’s an enjoyable album, I will not try to deny it. It is catchy, with its pop-inflected chorus lines, and decent guitar riffs. It just gets a little old after awhile. I loved it when I first got it, but the novelty has worn off a little bit. I still listen to it occasionally, but not nearly as often as I did when I first bought it. The later releases from the band do not come close to matching this one, which further adds to its inability to stay relevant.

5. Converge: Jane Doe
NOT FUCKING METAL. I have neither heard this album, nor this band so I can’t really comment much on them. However, I know they are not metal and that they are greatly responsible for the endless wave of shit called metalcore that we are still dealing with. There are some good metalcore bands, but they are the exception rather than the rule.

4. Killswitch Engage: Alive or Just Breathing
This is the band’s debut release. I have not heard this album, but I have of course heard other albums by the band. This one is a little different though because Jesse Leach, not Howard Jones, is the singer. I have only heard him on a song on the Roadrunner United album and he is an impressive vocalist. I keep meaning to check this album out, but have not gotten around to it yet.

3. Opeth: Blackwater Park
At last, one we can agree on. This album reached my list, the very end of my list, but at least it was there. This is widely considered Opeth’s masterpiece. It’s not my favorite of their albums, but it is certainly up there. It is also the one qualifying album from the band that should be here. After this one, Opeth got a little too proggy and their quality suffered. This represents their best balancing act of the prog and extreme metal elements, however they were always better when they were not trying to balance the styles. They were better when they focused on the extreme metal aspect and threw in prog influences once in awhile. This is a great album and should be on the list. It just shouldn’t be this high.

2. Lamb of God: As the Palaces Burn
I’m not sure I can agree with any list of top metal albums that gives Lamb of God three fucking places. I have not heard this album, but I can’t imagine it’s that much different than Ashes of the Wake, the #7 album. Lamb of God is not a bad band, they just aren’t a great one. I’m not sure how they managed to be as lucky to have the success they do. Perhaps, people just desperately wanted another Pantera. I can’t imagine why.

1. Mastodon: Leviathan
As mentioned earlier, this is a great album and I won’t dispute that. It is a little uneven in places and there are tracks here that I don’t really care for, which is why it did not make my list, but there are some other great tracks that help to make up for the misses. If Mastodon had built on this album and continued to develop the heavier stuff, then they probably would be considered the next really big metal band. However, they built upon the more progressive parts and started to move away from metal on their next album. By the time Crack the Skye was released, most of the band’s metal elements had already been stripped away. There are moments that still show the band’s metal influences but they are now few and far between. But that doesn’t affect the enjoyment of this album which is a very good album. Now, I wouldn’t consider it one of the best of the 21st century, but for a mainstream metal album, I suppose it would qualify.