Enforcer and Warbringer in Omaha: September 19, 2019

It has been kind of a rough week and I have been exhausted all week.  As such, my wife and I chose not to stay for the entire concert here and we actually missed Warbringer.  That's okay though because I have seen Warbringer twice before (opening for Overkill and then Dark Tranquillity) and we were originally planning to go to see Enforcer anyway.  The show was at the Lookout Lounge in Omaha, where I have previously seen groups like Goatwhore and Bell Witch, among others.

The concerts at the Lookout Lounge often have local bands and this one was no exception.  It is one of my favorite things about concerts at this location.  The bands opening up for Enforcer and Warbringer were Ungoliant, Dopecorpse and Inner War, none of whom I have seen before.  It was actually quite the eclectic group of bands.

Ungoliant was first and they are a black metal band from Omaha.  They were terrific, playing a particularly fast-paced and heavy black metal that is exactly the kind of black metal I love.  This was apparently the bassist's last show, but the band is continuing.  Hopefully a physical release is coming, because I would definitely snatch one up.  Dopecorse was next and they play a heavy stoner/doom with harsh vocals and slow, monolithic riffs.  They were pretty decent, but the songs tended to drag a little bit.  Finally, Inner War was the last band before the headliners.  Their sound is an unholy concoction of hardcore, thrash metal and black metal and they made a lot of noise with some excellent riffs.  They were also able to work the crowd into a frenzy.  All three bands were terrific and are good examples of the improving metal scene in Omaha, Nebraska.

The band that we were there to see was Enforcer, the Swedish retro metal band whose sound is based completely in the early 1980's speed and heavy metal scene.  I have been listening to the band for years now and they have never released a bad album.  Their recent album Zenith is not my favorite, but is by no means a disappointment either.  Enforcer had some sound issues, particularly with the vocals, which is a shame because that is frequently one of the best elements.  However, their intensity was infectious and their speed metal riffing was balls to the wall.  Enforcer played a number of songs that are favorites, including "From Beyond", "Katana" and "Live for the Night".  I was only disappointed that they did not play "High Roller", which was the major song that really got me into Enforcer.

It was a lot of fun seeing Enforcer.  They play a hyperactive, exciting and catchy form of metal that owes a lot to the 1980's metal scene.  It was disappointing to not stay for Warbringer, but it was a late night as it was.  I am sure I will catch them again.

Enforcer: Zenith (2019)

I have been a huge Enforcer fan since hearing Diamonds for the first time in 2010.  It was their blend of NWOBHM style riffs with the pop sensibilities of groups like Def Leppard, particularly on songs like "High Roller" and "Running in Menace".  It was definitely a retro sound, and even a little cheesy at times, but goddamn they were fucking good at it.  The songs were catchy as hell.  And as good as Diamonds was, Enforcer kept getting better on each new release.  Their last album, From Beyond was their best yet.  And so, I was definitely looking forward to a new Enforcer album.

Unfortunately, as good as this album is, it is not as good as any of the three previous releases.  Maybe Diamonds, but not Death by Fire and definitely not From Beyond.  Enforcer is trying to do something different here, perhaps not wanting to get too stale.  Unfortunately, that messed with the formula that had made Enforcer so impressive before.  Now I mentioned before that Enforcer always had pop melodies on occasion.  What changed on this release was that the band became more and more focused on these melodies, to the detriment of the obviously more metal riffing.  This is apparent from the beginning with the gang vocals leading into "Die for the Devil".  The accompanying riffs are just a little too much like the kind of rock and metal that infested the airways in the 1980's.  A lot of the aggression is gone for a much more radio-friendly sound.  The ballads in particular are maybe a step too far away from what this band used to do so well, particularly the piano-driven "Regrets". 

There is still some good stuff on this release and I do not want to give the impression that I truly dislike this album.  Liking and album and being disappointed by it are not mutually exclusive.  "Searching for You" is something of a return to form for the band, capturing the speed metal intensity that marked some of the best moments from their earlier albums.  There are also moments such as "The End of a Universe" and "Forever We Worship the Dark" which come close to the band's prior material. 

This is probably the most varied and dynamic Enforcer album to date.  The band has taken a lot of risks with this release, departing from what made their previous albums so great.  Unfortunately, they have gone a bit too far.  This would be really bad for most bands except for one thing: the songs are still catchy as hell.  So even though I was disappointed by the direction the band took on this release, I still find myself singing a lot of these songs in my head well after I have finished listening to the album.  Enforcer is coming to Nebraska soon in support of Warbringer and I will have to attend.  I have liked this band for a long time, and I still like this album.  Time to see them live.

Enforcer: Death By Fire (2013)

I was pretty excited for this one.  I loved Enforcer's 2010 album Diamonds.  The band struck the right chord with their take on NWOBHM crossed with speed metal.  Not only that, their songs were catchy as hell.  The album was a ton of fun, and even my wife liked the album quite a bit, which is pretty damn rare.

The first time I heard this one though I was slightly disappointed.  All of the elements from the previous album were present, but there was no track like "Running in Menace", which was the standout song to me on this one.  That is not to say that the songs were not good, there just was not that one track that made the entire album.  However, with repeated listens, the album grew on me.  I still do not think that I like it quite as well as Enforcer's last album, but it is no longer a disappointment.

The sound on this album is a little bit different.  The NWOBHM sound is still very much present, but instead of focusing on the poppier groups as they did on the last album, this time around they went for a heavier Diamond Head-meets-Blitzkrieg sound.  "Satan" even sounds like Metallica pre-Kill 'Em All.

The elements that made Enforcer's last album are still there.  The band combines an impressive melodic sensibility with some biting riffs and impressive vocal work.  The songs are catchy, though not as much as on their previous album.  I do not think this album will gain the band new fans, it is not quite as good as Diamonds after all, but it is a reasonably impressive follow-up.

Initial Impressions: Watain and Enforcer

Pretty swamped at work right now so I don't want to spend a ton of time on stuff.

WATAIN: LAWLESS DARKNESSWatain is one of the leading bands in the Orthodox black metal movement. Their lyrics clearly have a Satanic and evil bent to them. None of this stuff really bothers me that much. If the music is good, that's all that really matters to me. Luckily, Watain is one of the best black metal bands currently going.

Watain's music can be described as epic black metal. The sound is amazing and complex. They have a lot of Dissection influence, which is always a good thing to me. The music is very powerful, emotional, and intense. The tremolo riffs are fantastic and really add to the spine-tingling feel of the music. The vocals are understandable, but fairly typical for black metal.

Watain has been steadily improving with each album. This album is their best one to date, surpassing even the amazing Sworn to the Dark. The only issue I have with it is the length. At 70+ minutes this is a very long album. At least the music is so good that it does not feel like a chore to listen to it.

ENFORCER: DIAMONDSOn the other end of the spectrum, we have Enforcer who plays retro-sounding metal that takes a lot of influences from the NWOBHM. Hell, the album cover looks like something that came out of the late 1970's and early 1980's. Enforcer is a Swedish band that manages to sound even more retro than the uber-retro Wolf.

A few years back, a band called The Darkness was being hyped as a return to a more traditional sound of European metal. Well, that band was a joke, and they fucking sucked. Enforcer, on the other hand, are the real deal. All of the songs on this album are catchy and fun. The album is a throwback to the days when Angel Witch, Saxon, Raven, and others were at their best.

I enjoy this album immensely, mostly because of my newfound love for the NWOBHM. Enforcer sounds like they would have been very comfortable in that era.