Edge of Sanity is a typical Swedish death metal band in a lot of ways, but they are also so much more. There are the chainsaw-sounding riffs and the guttural vocals, the rhythmic stomp and the raw aggression. But Edge of Sanity has more. They have a sense of melody and a some delightfully weird moments. For instance, there is the random keyboard interlude in "Lost" on this release. They also have more of progressive structure, best exemplified by the aforementioned Crimson which would not work if it was just one long Swedish death metal song. They are much more dynamic and dramatic than other bands from their country and scene. They can go from a pure death metal song, to a jazzy acoustic interlude, to a gothic rock song with ease and without it sounding out of place. And in fact, they do on this album.
Edge of Sanity has always been more of the brainchild of the immensely talented Dan Swanö. There may have been other members at various points in time in the band, but Swanö has always been the driving force. His vocals are terrific on this album. Most often they are delivered in a typical death metal growl, deep and rumbling. But there are a few occasions in which he sings cleanly, as in the Manowar cover "Blood of My Enemies" and the off-kilter goth rock song "Sacrificed". His clean vocals are remarkably powerful and makes one wonder why he did not use them more often.
There is a lot going on in this album. Edge of Sanity is simply not content to play just one style, even though their foundation is always in death metal. They experiment and progress seemlessly. It is a wonder that they never really captured attention the same way that other bands from their country did. As I listen more and more, they are quickly becoming one of my favorite groups from their scene. That is really saying something.
