Two years after releasing their debut album, Pathfinder released their follow-up which, to this date, is their last release. No, the album is not a concept album about the 1997 science fiction movie starring Bruce Willis, Gary Oldman and Milla Jovovich. That is kind of a shame, because that movie is awesome. It is a concept album of sorts though. I am just not sure of the story line.
This album finds Pathfinder honing their own individual sound, which appears to be more of a mixture of European power metal and symphonic metal, sort of a mix between Sonata Arctica and Rhapsody of Fire. The result is an album that moves the band forward musically but sometimes goes a little overboard with the new elements. A lot of times the riffs get completely drowned out by the keyboards and symphonic elements to the point that they are barely present.
The vocals are kind of a mixed bag. I did not talk about them much in the previous review because there was not much to say. This time there are a variety of styles present. All of the members provide vocals during the choral parts, but the lead vocals are kind of all over the place. He usually uses a clean sound but occasionally tries to work in some harsher vocals, such as screeches that sound like a sillier Dani Filth (which is saying something).
I do applaud the band for moving beyond simply aping their influences, but I think the symphonic elements are a bit overdone. Also, the album is long again, though not quite as long as the previous album. So once again, there is a lot of filler here and songs that are longer than they probably should be. The album is fine, but I actually prefer the debut.
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