Thursday, February 27, 2020

Absu: Tara (2001)

I mentioned in the first Absu post that they are possibly the most famous black metal band to come from the United States.  There are other bands like Leviathan and Xasthur that have been hugely influential and may challenge Absu, but I think Absu is probably ahead.  Now, after listening to the first three albums, it may not be immediately clear why Absu is so revered.  Those releases are certainly good, but do not have the feel of groundbreaking releases.  And then we come to Tara.

It is clear right from the beginning that this album is a fucking beast.  It starts off with a short bagpipe introduction, but that moment of calm and serenity is to be short-lived because the band immediately hits the throttle and takes off and there is barely a moment of rest for the duration of the album.  There are a few instrumental interludes that break things up, just enough for the listener to take a break, but these are short and far between.  Then things kick back up.  This album is a steamroller.

The closest approximation to their sound I can draw is to say that they sound like Slayer, if they were playing songs by Mayhem.  The band is striking at full speed, with rampaging riffs and artillery-fire shock-and-awe drumming.  The vocals are mostly an afterthought, usually delivered in a black metal rasp, but they are somewhat low in the mix.  The riffs and drumming are the important parts.  I am not even sure how it is humanly possible to play the drums like Proscriptor.  Some songs, such as "She Cries the Quiet Lake", even have something of a Middle Eastern rhythm to their madness, sounding a bit like Melechesh.

This album will leave the listener breathless after it is done.  It is a full-speed-ahead tour de force of manic drumming and sharp riffs.  This is easily a career highlight album from Absu and is the release I will point to as the beginning point for Absu.  Subsequent releases were attempts to recapture this magic, to varying degrees of success.  This album deserves its lofty place as a landmark in U.S. black metal, it is damn near a perfect album.  Unfortunately, Absu called it quits earlier this year.  A shame.

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