Originally reviewed here.
Recently I covered Havok. I was a little disappointed with their most recent album and cited them as a reason that a lot of people are disenchanted with the retro thrash metal movement that arose in the last decade. They just do not really do anything new with their obvious influences, content to rehash ideas that were a little stale 25 years ago. Thankfully not all bands from Havok's peers fall into the same trap. Enter Revocation.
Revocation is a band that easily takes their old-school influences and makes an intriguing, unique sound that stands out from their retro thrash peers. Revocation does not entirely fit within that movement as their sound is much more modern and refreshing, but they obviously still have a lot of old-school thrash metal influence.
The Boston-based band melds face-melting riffs, incredible guitar leads, and blazing solos with technicality and skill that has not been seen often in other bands that have come from the same scene. Their songs are often complex and progressive but remain listenable. Their sense of songwriting remains sharp.
There are some kind of odd moments here that just seem to work surprisingly well. The most obvious example of this is the use of a banjo on "Invidious". It is a rather bizarre use of an instrument that causes chills for anyone who has seenDeliverance. But despite its non-metal associations, the banjo actually fits in well with Revocation's sound.
Then, of course, there are the more standard ripping songs on this. Tracks like "Fracked", "The Hive", and "Archfiend" are typical Revocation songs, complete with ultra-fast tempos and technical riffs.
Revocation is one of the more talented bands to come out of the retro thrash metal scene and they once again prove why that is on this release.
The Boston-based band melds face-melting riffs, incredible guitar leads, and blazing solos with technicality and skill that has not been seen often in other bands that have come from the same scene. Their songs are often complex and progressive but remain listenable. Their sense of songwriting remains sharp.
There are some kind of odd moments here that just seem to work surprisingly well. The most obvious example of this is the use of a banjo on "Invidious". It is a rather bizarre use of an instrument that causes chills for anyone who has seenDeliverance. But despite its non-metal associations, the banjo actually fits in well with Revocation's sound.
Then, of course, there are the more standard ripping songs on this. Tracks like "Fracked", "The Hive", and "Archfiend" are typical Revocation songs, complete with ultra-fast tempos and technical riffs.
Revocation is one of the more talented bands to come out of the retro thrash metal scene and they once again prove why that is on this release.
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