Thursday, December 11, 2014

EP Briefs (I Need to Catch Up)

I am trying to clear out some emails here and figured since these were all shorter releases that a quick paragraph would suffice.  I found myself enjoying all three releases for different reasons, so don't take the brevity of the reviews as an indictment against them.

CREINIUM: PROJECT UTOPIA (2014)
Creinium is a technical extreme metal band from Finland.  It definitely starts out kind of weird, with some ambient synth work and some imposing narration but then kicks it into gear on the next track.  Creinium continues to use a lot of keyboards, giving the band kind of a death metal Dimmu Borgir sound, or a more technical Luna Ad Noctum.  The band combines a number of different metal genres into their sound, making a precise description somewhat difficult.  The keyboards are really the star here as they distinguish the group from others.  Without them, there would not be a whole lot to talk about.

PINEAL: SMILING CULT (2014)
This is the second post-metal band I have reviewed in the last week.  I suppose "post-metal" would be far too limiting a term, as Pineal clearly has a lot of sludgy riffs with some Alice In Chains-esque vocals as well.  The band is more of a cross between Crowbar, Alice In Chains, Neurosis, and some Tool for good measure.  The riffs are ridiculously heavy and of course slower-paced, and the haunting vocals add a sense of doom and gloom that carries forward through the entire release.  It is an overall dark and depressing release that sounds great on a cold, dreary night like tonight.

CRUSHING AXES: UNDEAD WARRIOR (2014)
Crushing Axes is a one-man death metal project from Brazil, although apparently a session drummer and bassist were used.  The vocals are the major standout.  Sounding something like Nespithe-era Demilich, they consist of deep, frog-like croaking, though not as extreme as the aforementioned Demilich.  The music is fairly simple mid-tempo groove-laden death metal with some interesting lead guitar work on the melodies.  The release in theme and sound does a pretty decent job of capturing the general feel of the catchier work by Amon Amarth.  I would like to see a Brazilian band like this cover some of Brazil's own badass mythology though.

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