Underrated Death Metal Albums Pt. 2 of 2

Picking up where I left off yesterday, here are the remaining underrated death metal albums.

PANZERCHRIST: BATTALION BEAST
Really, any Panzerchrist album is capable of being listed here. The Danish death metal band has virtually no exposure in the U.S. and their albums are incredibly tough to find and often expensive when you do. The U.S. is missing out on one of the most aggressive, rabid, and powerful death metal bands ever. The band incorporates some black metal influences (mostly vocal style but some music) into their death metal sound, but this is more of the blast beat-driven black metal style. If you're looking for subtlety, look somewhere else, this band is raw and brutal as fuck.

DEMILICH: NESPITHE
The Finnish death metal band is really weird. Featuring unconventional song structures and absolutely bizarre vocal styles (think croaking bullfrog), Demilich was truly and unusual band. Coming around at a time when there was not much experimentation in death metal, Demilich pushed the boundaries of the genre to places it had never seen before. If it were not for Demilich's 1993 album, we would not have groups like Portal. Unfortunately, this album remains buried deep within the metal underground. Those who have heard it though, sing its praises.

THE CHASM: THE SPELL OF RETRIBUTION
Yesterday I mentioned Cenotaph, well The Chasm is a band that features the absolutely insane Cenotaph vocalist Daniel Corchado as well as other members from the group. The band originated in Mexico and then relocated to Chicago. They play a much more progressive style of death metal with some remnants of the Cenotaph sound, but taking it in a myriad of directions. The band also has influences from other metal styles, including heavy doom influences. Their albums are all spell-binding, but this is my personal favorite.

DECEASED...: FEARLESS UNDEAD MACHINES
It would be possible to get Deceased... in both the death metal and thrash metal lists, but I will cut that back and only list them here. Deceased... started out as an early death metal band, incorporating death metal vocal styles and down-tuned, heavy riffs into their more traditional metal and thrash backgrounds. This is the band's masterpiece album, a concept album to the George Romero zombie movies. This band is criminally underrated, despite being clearly one of the most original bands in American death metal. They have in recent years gotten rid of most of their death metal influences, but on this album, they shined through.

XENOMORPH: EMPYREAL REGIMES
I just got this album recently and reviewed it in depth. I have to mention it again here, because this is just incredible. Progressive death metal that is still punishing and brutal is not always easy to find, but this isolated band from Nebraska did it in the early 1990's. Xenomorph is an extremely twisted death metal band, but their album was not widely released and they are just now beginning to get discovered. The label Blood Harvest has plans to re-release this. I can't wait. Hopefully they will get the attention they deserve.

Scary Albums in Honor of Halloween

Okay this one is similar to the Scary Album Covers posts but a little different. This time we're talking about actual albums that are a little frightening from a musical standpoint, albums that curdle the blood and send chills up the spine, albums that are so complex that they sound as if they came from another world. Yes, there are a few, and I'm not referring to the latest from Lady Gaga.

CELTIC FROST: MONOTHEIST

Celtic Frost has always had some spinechilling songs, but on this album, they stretch things over the full course of the record. Even though the band utilizes some clean singing, the vocals are so desperate and cold, that they sound otherworldly. The riffs are typical Celtic Frost bass-heavy riffs that sound like the machinations of Lovecraftian beasts. This album is truly unnerving, taking hold of the listener for over an hour. Once it is over, it is like being able to see the sunlight after days trapped in a cave.

COFFINS: MORTUARY IN DARKNESS

The cover image is frightening enough. Coffins sounds like an even more dark and possessed version of Celtic Frost playing a style of death/doom that is so morosely slow as to actually sound as if it were produced by the zombie-like monsters that so often appear on the band's album covers. The faster tracks sound as if they could have come from Celtic Frost themselves, while the slower ones sound as if they came from the pits of Hell.

DARKTHRONE: TRANSILVANIAN HUNGER

That's the band's spelling not mine. This is a classic album from the Norwegian second wave of black metal band. It features the eponymous title track, one of the most well-known and disturbing songs about vampires in heavy metal. Everything else is minimalist, simple, one riff, classic black metal with an extremely dark atmosphere. Only the title track is in English and not knowing what is being said somehow makes the rest of the songs that much more frightening.

DEMILICH: NESPITHE

Demilich's only full length gives off the atmosphere of being trapped in a dark, dank, moist, cold cave. The music is ungodly complicated featuring numerous changes in time signature and speed as to leave the listener completely disoriented. Then there are the vocals, a sound that can best be described as the croaking of a dying bullfrog.

INCANTATION: ONWARD TO GOLGOTHA

Incantation was one of the early bands that blended death metal with doom metal and achieved a Hellish sound in the process. The band's angular riffs, throbbing bass, and pummeling drums form the backdrop behind some of the most terrifying vocals in American death metal. The atmosphere is as dark as the Satanic and Anti-Christian subject matter. Most occult death metal bands have been trying to emulate this sound for years, but this is the original.

MAYHEM: DE MYSTERIIS DOM SATHANAS

Quite possibly the quintessential black metal album. This album was recorded after the death of vocalist Dead and featuring Attila Csihar's chaotic vocal phrasing and shrieking. It was also recorded before the murder of guitarist Euronymous at the hands of bassist Varg Vikernes. The backstory alone makes it a frightening piece, then there is the cold music itself. This album, along with Darkthrone's above-mentioned album completely changed the course of black metal, changing the focus to simple riffs and dark atmosphere. I love to listen to this album with all the lights off during a thunderstorm at night.

PORTAL: OUTRE'

The music cannot even be described, it is so off the wall strange. Portal pushes the boundaries of metal, and indeed music in general as far as possible. The riffs are chaotic, the drumming seemingly out of nowhere, and the vocals are tortured screams. Portal is one of the most original metal bands to come out in years. I cannot even tell if I enjoy their album or not, it is so strange. All I know is that I feel uneasy whenever I listen to it, and that makes it a prime candidate for this list.

SATAN'S HOST: SATANIC GRIMOIRE:
A GREATER BLACK MAGICK

Satan's Host is a unique band. They hail from Colorado and formed in the mid 1980's when they played power metal with occult lyrics. They didn't last long though and broke up. They reformed in the last few years playing a style of blackened thrash and upped the ante on their lyrics. The band is clearly Satanist and feature many invocations to Satan in their albums. This one is no exception. Musically, they are pretty good, though not as good as other blackened thrash groups, it's when they see fit to add in an atmospheric track that they really get strange.